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    <title>Codex — Hybrid Flight</title>
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    <description>Notes on club culture, craft and the people who keep a scene honest.</description>
    <language>en</language>
    <lastBuildDate>Thu, 10 Sep 2026 09:09:53 GMT</lastBuildDate>
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      <title>Why a Room Dances Together</title>
      <link>https://www.hybridflight.space/codex/why-a-room-dances-together</link>
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      <pubDate>Wed, 02 Sep 2026 20:00:00 GMT</pubDate>
      <description>Several hundred people moving on the same beat, none of whom arranged it. What actually happens when a floor locks in — beat entrainment, raised pain thresholds, and why medium syncopation makes a body move.</description>
      <category>club culture</category>
      <category>dance floor</category>
      <category>djing</category>
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    <item>
      <title>Better Than You Think</title>
      <link>https://www.hybridflight.space/codex/better-than-you-think</link>
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      <pubDate>Wed, 02 Sep 2026 17:00:00 GMT</pubDate>
      <description>James Blake listed the parts of the music industry that can no longer be trusted and ended with a line for artists. Going through his list one claim at a time — which of them hold up, and what is left to measure when the signals are gone.</description>
      <category>music industry</category>
      <category>spotify</category>
      <category>ai</category>
      <category>social media</category>
      <category>attention economy</category>
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      <title>Two Brushstrokes</title>
      <link>https://www.hybridflight.space/codex/two-brushstrokes</link>
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      <pubDate>Wed, 02 Sep 2026 14:00:00 GMT</pubDate>
      <description>A DJ posting as @supafrisch describes a scene that presents itself through thirty-second transitions and new mixers, because almost nothing that actually happens in a club can be posted. On clips as advertising, and on what the advertising is supposed to be for.</description>
      <category>djing</category>
      <category>social media</category>
      <category>club culture</category>
      <category>attention economy</category>
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      <title>Show Them the Reason</title>
      <link>https://www.hybridflight.space/codex/show-them-the-reason</link>
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      <pubDate>Wed, 02 Sep 2026 10:00:00 GMT</pubDate>
      <description>Asked what he wanted from a first back-to-back with DJ Hell, Marcel Dettmann named imperfection, surprise and tension before anything else. On why none of that is about skill, and on the difference between transmitting something and claiming the past was better.</description>
      <category>djing</category>
      <category>club culture</category>
      <category>berlin</category>
      <category>marcel dettmann</category>
      <category>techno</category>
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      <title>The Long Way Round</title>
      <link>https://www.hybridflight.space/codex/the-long-way-round</link>
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      <pubDate>Tue, 01 Sep 2026 23:59:00 GMT</pubDate>
      <description>Thom Yorke used his Ivors Fellowship speech to ask the industry for something unfashionable: time. On why the route a record takes is not a delay before the work but a part of it.</description>
      <category>creative practice</category>
      <category>music industry</category>
      <category>ai</category>
      <category>making music</category>
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      <title>Death of the Ego</title>
      <link>https://www.hybridflight.space/codex/death-of-the-ego</link>
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      <pubDate>Tue, 01 Sep 2026 23:00:00 GMT</pubDate>
      <description>ZAINAB argues that DJ culture needs an ego death — that the job was always a service position and has been converted into a starring one. On what that costs a dance floor, and where the screens fit in.</description>
      <category>club culture</category>
      <category>djing</category>
      <category>social media</category>
      <category>dance floor</category>
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      <title>The Wrong Target</title>
      <link>https://www.hybridflight.space/codex/the-wrong-target</link>
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      <pubDate>Tue, 01 Sep 2026 21:00:00 GMT</pubDate>
      <description>Richie Hawtin says influencer DJs are booked for their follower count rather than their ability. He is describing something real and aiming it at the people least responsible for it.</description>
      <category>club culture</category>
      <category>music industry</category>
      <category>djing</category>
      <category>social media</category>
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      <title>The Personality Tax</title>
      <link>https://www.hybridflight.space/codex/the-personality-tax</link>
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      <pubDate>Tue, 01 Sep 2026 18:00:00 GMT</pubDate>
      <description>Cristalyne asks when being a DJ stopped being enough. The shift she describes is not that you have to post — it is that you have to be a particular kind of person on camera, and that selects for something other than music.</description>
      <category>club culture</category>
      <category>social media</category>
      <category>djing</category>
      <category>attention economy</category>
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      <title>A Date for a Date</title>
      <link>https://www.hybridflight.space/codex/a-date-for-a-date</link>
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      <pubDate>Tue, 01 Sep 2026 15:00:00 GMT</pubDate>
      <description>Save Our Sound argues that booking swaps between collectives have hardened into a currency, and that anyone without a date to trade gets quietly left off. Notes from someone who has been on both sides of it.</description>
      <category>club culture</category>
      <category>promoters</category>
      <category>booking</category>
      <category>djing</category>
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    <item>
      <title>Keep the Money</title>
      <link>https://www.hybridflight.space/codex/keep-the-money</link>
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      <pubDate>Tue, 01 Sep 2026 12:00:00 GMT</pubDate>
      <description>Jane Fitz told a small London promoter to keep her fee and spread it among the other DJs. On Scuba's podcast she explains why she does it, and why she refuses to say anyone else has to.</description>
      <category>club culture</category>
      <category>promoters</category>
      <category>djing</category>
      <category>jane fitz</category>
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    <item>
      <title>Where There's a Right Answer</title>
      <link>https://www.hybridflight.space/codex/where-theres-a-right-answer</link>
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      <pubDate>Mon, 31 Aug 2026 23:00:00 GMT</pubDate>
      <description>Marcel Dettmann isn't worried about robots taking the booth. He's worried about optimisation. A working rule for where AI belongs in music and where it does not.</description>
      <category>ai</category>
      <category>music production</category>
      <category>techno</category>
      <category>marcel dettmann</category>
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    <item>
      <title>Would You Still Do It?</title>
      <link>https://www.hybridflight.space/codex/would-you-still-do-it</link>
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      <pubDate>Mon, 31 Aug 2026 21:00:00 GMT</pubDate>
      <description>Jaymie Silk laid out why being a DJ barely makes sense in 2026 — burnout, tokenisation, private equity, and a scene that still calls itself a family. His test for whether to continue is the sharpest question in it.</description>
      <category>club culture</category>
      <category>music industry</category>
      <category>djing</category>
      <category>social media</category>
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      <title>Play the Room You're In</title>
      <link>https://www.hybridflight.space/codex/play-the-room-youre-in</link>
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      <pubDate>Mon, 31 Aug 2026 18:00:00 GMT</pubDate>
      <description>DVS1 walked into a festival room of fifty people and refused to play like there were five thousand. On reading the situation, and on treating a lineup as one piece of music rather than four auditions.</description>
      <category>club culture</category>
      <category>djing</category>
      <category>warm up</category>
      <category>dvs1</category>
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    <item>
      <title>Permission to Enjoy It</title>
      <link>https://www.hybridflight.space/codex/permission-to-enjoy-it</link>
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      <pubDate>Mon, 31 Aug 2026 15:00:00 GMT</pubDate>
      <description>Wizard Skull's advice on making art is to set up a space, get a drink, sit down and have fun. After five entries about the machinery, that is the part worth saying out loud.</description>
      <category>art</category>
      <category>creative practice</category>
      <category>making music</category>
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      <title>Keep the Day Job</title>
      <link>https://www.hybridflight.space/codex/keep-the-day-job</link>
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      <pubDate>Mon, 31 Aug 2026 12:00:00 GMT</pubDate>
      <description>IMOGEN's advice to new DJs is to stay employed as long as possible. She is right — and the second half of what she said, about nobody wanting to be a promoter any more, is the part that should worry everyone.</description>
      <category>club culture</category>
      <category>djing</category>
      <category>promoters</category>
      <category>music industry</category>
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    <item>
      <title>The Equity Nobody Shared</title>
      <link>https://www.hybridflight.space/codex/the-equity-nobody-shared</link>
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      <pubDate>Mon, 31 Aug 2026 09:00:00 GMT</pubDate>
      <description>City Slang's Christof Ellinghaus called recorded music kaput at Pop-Kultur. The structure behind that verdict is a 2008 deal in which labels took shares in Spotify — an asset no artist contract has a claim on.</description>
      <category>music industry</category>
      <category>spotify</category>
      <category>independent labels</category>
      <category>subvert</category>
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    <item>
      <title>A Number Without a Denominator</title>
      <link>https://www.hybridflight.space/codex/a-number-without-a-denominator</link>
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      <pubDate>Sun, 30 Aug 2026 16:00:00 GMT</pubDate>
      <description>Zanias called Spotify's monthly listeners a garbage metric for valuing artists. The deeper problem is that it is read alone — and why we sell on Bandcamp and Subvert instead.</description>
      <category>music industry</category>
      <category>spotify</category>
      <category>bandcamp</category>
      <category>independent music</category>
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    <item>
      <title>Anyone Can Mix</title>
      <link>https://www.hybridflight.space/codex/anyone-can-mix</link>
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      <pubDate>Sun, 30 Aug 2026 10:00:00 GMT</pubDate>
      <description>Dixon told RA that a DJ set is not rocket science — the storytelling is the part not everyone can do. On selection, order, and the moments a room takes home.</description>
      <category>club culture</category>
      <category>djing</category>
      <category>track selection</category>
      <category>dixon</category>
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    <item>
      <title>“DJing is all about playing music”</title>
      <link>https://www.hybridflight.space/codex/djing-is-all-about-playing-music</link>
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      <pubDate>Fri, 28 Aug 2026 16:00:00 GMT</pubDate>
      <description>Laurent Garnier said the obvious part out loud on Soho Radio — that DJing is about playing music. On social media as the poster and not the work, and why the platforms deserve more suspicion than they get.</description>
      <category>club culture</category>
      <category>djing</category>
      <category>social media</category>
      <category>laurent garnier</category>
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      <title>The Floor Is Not a Stage</title>
      <link>https://www.hybridflight.space/codex/the-floor-is-not-a-stage</link>
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      <pubDate>Fri, 28 Aug 2026 10:00:00 GMT</pubDate>
      <description>Why the best club nights in Berlin happen when the DJ stops performing — a working argument for reading the room instead of playing to it.</description>
      <category>club culture</category>
      <category>djing</category>
      <category>berlin</category>
      <category>house music</category>
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